Ballet turns - How to do a Pirouette

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By Marisa Wright

How to pirouette is one of the most frustrating skills for a ballet dancer to master - especially multiple pirouettes. It's true they require perfect balance and control - but the real reason they're difficult is that most ballet students think of pirouettes in totally the wrong way.

I'm assuming you know the basics of a pirouette: from fifth position, tendu to the side or back, and lower into a plie in fourth position. From there, rise and turn on releve with your foot in retire. Right?

Actually, there's a whole lot of stuff wrong with that description! So let's break it down in detail:

Don't let your foot cross your knee
See all 2 photos
Don't let your foot cross your knee

Preparation

Preparation for a pirouette is not a normal fourth position. Keep the fourth smaller, and have your weight more on the front foot. That way, you won't have to adjust your centre as much when you rise on releve, and you won't throw yourself off balance. You don't need to have your weight backwards, or need a deep plie in your back leg, because you don't use it to push you around - if you do, it'll only make you twist and ruin the turn.

Make sure you're square to the front and properly pulled up.

Now spring up on to releve with your foot in retire. Make sure it's a high retire - and make sure it's not crossing over your knee (which is a legitimate position, but won't help you turn). As you spring, whip your arm in sharply - that's what starts your turn. And don't forget to spot.

Dance Imagery for Technique and Performance
The turning section in this book has some great pirouette advice
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UP - not Up and Round

I've seen many dancers follow these instructions carefully, and still not be able to pirouette. That's because they're not thinking about springing UP, they're thinking about springing UP AND ROUND. All that does is throw the body out of alignment, it doesn't help you turn.

The solution is to perfect your technique without turning first. Practice springing up into your pirouette position and holding the balance. Once you can spring into position and hit your balance immediately, you're 90% of the way to a good pirouette.

Nothing about your preparation changes when you add the arms. You don't need to twist your shoulder to whip your arm in strongly. And you still need to push UP out of your prep, not round. If you're properly centred and using your legs and arms properly, you may be surprised to find yourself turning without even trying!

Turn like a spinning top
Turn like a spinning top

Hold Your Shape

If you've ever seen a spinning top, you'll know that if you start it spinning in a perfectly upright position, it'll spin fast and for a long time - but if you start it even a tiny bit off-centre, it'll start to wobble and will fall over, sooner or later. The same applies to you!

To keep turning, you need to hit that perfectly upright, perfectly still position in the first split second of your turn - that's why it's so important to practice springing into your retire position over and over again. If you're still trying to get your toe in position half way round the first turn, you're toast!

If any part of your body strays from that perfectly upright still centre during the pirouette, you'll fall out of the turn. So the toe of your retire must stay glued to the knee, not creeping down your leg in anticipation of the landing. Your core must be strong and your arms mustn't flop.

The only part of your body that should move during the turn is your head, which spots - and the more precisely, the better the turn.

Still Having Trouble?

If you're still struggling, it may be your strength that's the problem. If you're not secure on your foot, or aren't able to hold your turnout, then you won't be able to hold your center. Exercises for pointe work will also help with strength for pirouettes, because both are about lifting up and out of your feet.

In fact, I found pirouettes much easier when I started dancing en pointe. Pointe work is very good for improving awareness of your center, plus of course there's less friction with the floor.

Once you've got the idea of doing a single pirouette, don't be in a rush to execute double and triple turns - take some time to get used to the feeling of effortless turning first. If you try to go further too soon, you may fall back into the "push round" mentality and lose the progress you've made.

Happy spinning!


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Text courtesy of Pointe Shoes Online. Don Quijote photo by jorgemejia. Spinning top by Zappowbang.


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Comments

L.Perry 22 months ago

This article is just wonderful! It makes me want to get right up and practice a pirouette or two....

Maddie 16 months ago

You do not need to whip your arms around to much if it is just a single, or you will get to much momentum. It is useful for multiples, though. I can do a double and a single in ballet shoes and a single in pointe shoes.

Marisa Wright profile image

Marisa Wright Hub Author 16 months ago

@Maddie, not everyone is good at harnessing their momentum at first. You sound like the kind of person who did it naturally, so you could get a single turn without needing your arms. Others are not so lucky!

If you can do a double pirouette in soft shoes, then the only thing stopping you from getting a double en pointe is your centre. Keep working on a strong core and your balance in retire en pointe, and you'll be flying!

Giselle Maine profile image

Giselle Maine Level 6 Commenter 16 months ago

Hi Marisa, this is a superb article! I only wish I'd had this kind of advice when I was taking ballet as a youngster (and later on as an adult for recreation). Pirouettes were always hard for me. Out of interest, why is it important not to let the foot cross the knee? (it's not something I would do anyway, but I was just curious about that). Anyhow thank you for writing this very helpful & enjoyable article.

Marisa Wright profile image

Marisa Wright Hub Author 16 months ago

Thanks Giselle (what an appropriate name for a dancer!).

Keeping the retire high is part of creating momentum. If you let the foot cross the knee, there's a good chance the lifted knee won't turn out fully. Moving the lifted leg UP and OUT helps with the turn.

bswan17 profile image

bswan17 9 months ago

This was such a useful article. I've always had trouble with my pirouettes, but I'll be sure to take your advice and see how it goes. Thank you.

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